Episode 44: Double Disappointment (featuring Anthony Strand)

Isn't it interesting that Groucho made some movies without his brothers? Back in Episode 20, we tackled Copacabana (1947), and concluded that yes, it is interesting. And now, joined by Anthony Strand, we apply the same thinking to Groucho's odd double feature of early-fifties RKO releases, Double Dynamite (1951) and A Girl in Every Port (1952). Are these films interesting? Is this episode interesting? These are interesting questions -- or are they?